What Do To If Nadi Matches In Kundli

Dawn Godfather Fellini Roma

Director: Francis Ford Coppola
Year: 1972 Country: U.S. Gender: Drama / Gangster Score: 10/10
Cast: Marlon Brando, Al Pacino, James Caan, Robert Duvall, Diane Keaton, John Cazale, Talia Shire, Richard Castilian, Sterling Hayden, Gianni Russo, Rudy Bond, John Marley and Richard Conte

masterpiece of Francis Ford Coppola, based on the novel of the same name. 40's, Don Vito Corleone (Marlon Brando) is the head of one of the five Mafia families in New York. When he refuses to intervene in the drug business, the chief of another band, tries to kill him, then begins a violent and bloody war between the Mafia families. A part of this war film tells the life of Corleone, focusing on the children of Don Vito, Sonny (James Caan), the eldest son, impulsive and violent, Fredo (John Cazale) submissive and dependent, Connie (Talia Shire) the only woman and Michael (Al Pacino), the youngest brother, who has returned home after fighting in World War II, will be the responsibility inevitablemnte criminal empire his father built with wisdom, money, political cooperation, and above all, shedding rivers of blood. The effect it has on my "Godfather" is amazing, is the powerful sensation of tasting authentic movie from the first until the last moment, nothing outshines this film, everything has its meaning, not a single actor out of tune, not a single Framing is unfortunate, in short, we see a fit that leaves you suspended in its history. With a zoom too complex for a very long time Coppola plane gets more than three minutes short not only when Don Vito says his first sentence finally passed away to the forefront of Marlon Brando, dressed in an impeccable tuxedo talking to his famous voice cracking. So begins this legendary film.

going to be right all those who say it can decide in the first ten minutes if a movie is good or not "The Godfather" is the best exponent of this theory. In its opening sequence, not more than five minutes, this has laid the foundations for what will be the rest of the film. But not only that: it is also perfectly portrayed the character who gives the film its name, and gift, we explain all the rules of the mafia. Are recorded in those first moments the idea that the mafia is a family with their own rules which must not fail, that anything that deviates from the mafia not sure that the mob does not is a company with bills, but operates with its own mechanisms based on friendship and the counterbalance of favors rendered, the ritual, the method, if a little too only in that scene-makers were able to create a myth: image of Vito Corleone in black, his voice torn stroking a cat and asked, "What have I done what insult me \u200b\u200bthis way?". Interestingly, Marlon Brando was able to steal, in the heart of the public, all the prominence of the movie, because if we purists the protagonist, the real protagonist of the story is Michael Corleone, magnificently played by Al Pacino. Who will build Brando's character will be made by cloying, excessive, with that drawl, too Mannerist gestures, and that grand final party are the cotton mouth "was needed? We'll never know. But the truth is that these elements could get a movie myth.

But why "The Godfather" Like so many people? The obvious answer is that it is a great movie, but put a sweat shirt and justify astronomical salary we are paid to the critics, say that one of the keys to this film is precisely the mark of any work of art that has many levels of meaning that everyone can enjoy the film. It's easy to keep the warring gangs adventure that trip, but "The Godfather" also represents a clever essay on power struggles and strategists games. Move that same issue at the core of the same family, as well as within the Corleone although these movements are much more insidious. Discusses the responsibilities of kinship ties, or ties tax voluntarily, the meaning is highly respected clan and honor. It also features a world embedded in another world, Sicily Italy built to very different American system and how it manages to reproduce. Machismo, the importance of family ... Shows the change of an era the clash of two cultures, both in the subject of drugs, such as generational change. And it also sets a beautiful portrait of manners from the "Italian-American." However, at the bottom of all this substrate shines a classic pattern of acceptance of his destiny. Michael, the only one not born to Italian name does not belong to the underworld, however, the circumstances involved in a tragic way in countless deaths, we are dragged into a "Don Corleone."

Everyone can see the transformation of this character, which is vital at infinitely more interesting than Vito Corleone, and to some extent all suffer from their trip to hell, but enjoy watching morbidly gradually becomes a gangster. Because, frankly, that we should acknowledge the Americans: they are only sophisticated any kind of world. Can take a very nauseating and present it with such philosophical and aesthetic styling that make the object of his portrait into something attractive and desirable. The elegance and sinuosity with moving around, make the real climax comes when one is waiting, throbbing with the tense calm, cold, steep, muddy and appointments are gradual in those moments where everything comes to an extremely inhospitable, where remains a revenge instinct secondary to that to protect and shelter all that is proper, who accompanies and envelops us. And, after a splendid start, its development even more twists and wraps you in a story in which events unexpectedly pushed his players and overwhelm them, oppress them, they put on the tip of the iceberg, on a tightrope and thinner than at any time, may break, trembling, and let them immersed in utter anguish. The performers in "The Godfather" are canceled, do not exist, the character fades and gives way to the person, people who leave you on the edge of the abyss, marking your desire to follow in his footsteps, to understand his unwavering honesty made all those beings who love and cherish, in short, did his own family, next to which they have thrived, they have learned and become what they are, and have polished their developed virtues and its flaws, strengths and weaknesses that are uncovered again and again, appearing without objection and leave you ecstatic and in a state of caution burial.

Sonny, arrogant, cocky, conceited, fights and aspiring to the "throne" is another character to remember, played with restraint by James Caan. Finally we have Robert Duvall, who plays the role of lawyer Tom Hagen, one of my favorites, because they are always on the side of the family. The plot is global, complete, total, because there are different within the same stories, different places, and best of all, different players. The long duration of the film is exactly right, and history tells us, other than that we used to offer movies at the time, has resulted in many films subordinate disciples, honored and even imitators, but never achieved or will achieve. The short film drama, thriller, crime and family melodrama. The narrative is presented chronologically ordered, elegantly addresses violent themes, sordid and gloomy, he uses the technique of simultaneous actions (baptism scene). The narrative pace is leisurely, with accelerations and decelerations consistent with the intensity of the action, and remarkable ceremony underlined that project on the exercise of power in the world of organized crime. It offers a superb staging, the same can talk about their rituals, events, rules and regulations of inheritance and personification (Don Vito and Michael). Before the Corleone family came on the scene had been made gangster movies, but then nothing was the same. Since then we have the certainty of knowing the intricacies of "Cosa Nostra", moreover, to identify with the unscrupulous bastards clan whose ethical code is based on greed, treachery and revenge. From Don Corleone learned to distinguish between what is personal and what is part of the business: there is no difference.

As I said, every actor seems to be chosen carefully to represent their character, which leads to the large cast of actors who embroider their actions. Who else but Marlon Brando could be Vito Corleone?, Or Al Pacino to be Michael, James Caan be Sonny, Robert Duvall Tom Hagen to be ... Everyone does that glimmer of passion that should have making this film Coppola. Because when you make a movie with passion, you can see it in every scene. If you ask me what is best for this film, I'll no doubt to the interpretation Al Pacino, which is immeasurable good as it used to be typical. Although the entire cast is brilliant. The location is brilliant, but full of leisurely tempo Coppola dosing times of stress in a masterly manner, as the sequence of the hospital or restaurant. Would be useless to talk now of signs such as oranges and other niceties, all well known, but it is necessary to point out that these things are what make "The Godfather" an unforgettable film. Also noteworthy is the wonderful music of Nino Rota, which makes us breathe from the principle that Italian atmosphere that emerges from the novel by Mario Puzo. Francis Ford Coppola was able to direct a master a classic movie in full 70's. But a classic movie without the ridiculous stereotype that means. Coppola thus contributes his best film to revolution Arthur Penn film that began with "Bonnie and Clyde" (1967) and would continue a youth called Scorsese, Lucas, Spielberg or De Palma among others, all of them masterpieces. Did you live up to "The Godfather"? The answer is clear: Impossible.

"Coppola invented a new look for the film"